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About the work
From the composer
Quantum Transitions began as an investigation in the semantics of rhythm: what kind of meaningful relationships can sonic events have when divorced from pitch (melody and harmony)? The two tools that I have used extensively in this investigation are phasing, patterns of different lengths looping independently of each other, and metric modulations, a rhythmic pattern in one context is translated into a different context to mean something different catching the listener by surprise in the process.
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